Wednesday, March 20, 2013

Queequeg Queerness

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Precis: Queequeg Queerness: Constructing Homosexuality Out of Racial, Cultural, and Spiritual Molecules
​ Herman Melville and homosexual conspiracy will be forever tied as closely together as the storied monogamous relationship between two swans. Typee, Billy Budd, or, more specifically, Moby Dick are all latent with enigmatic male relationships that suggest—if not virtually proclaim—homosexuality. As such, Melvillean literature has inevitably drawn the keen interest of psychoanalytic and queer theorists from many disparate points of the world—and even ages, for that matter. Consequently, upon eras and eras of research and evidence, it has now become viable to state that if there exists any argument in the world that can be labeled as incontrovertible, it is the argument of queerness being present in the works of Herman Melville. However, this commonly investigated queerness is limited queerness; it is queerness that is the result of theorists’ refusal to branch beyond homosexuality. Another form of queerness is present as well: Racial Queerness.

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​ Examine Melville’s Moby Dick and reach beyond the all too banal allegations of male-to-male homoeroticism and trace the neglected racial queerness in the text. Nevertheless,  continue to touch on the typical element of homosexual queerness because it is vital to the literary analysis of Moby Dick. However, plan to distend the traditionally studied homoeroticism present in Moby Dick and evoke the reason for the existent homosexual aura in Melville’s leviathan out of Queequeg’s exotic civilization.  investigate the relationship between the subdivisions of Queequeg’s culture—paganism and cannibalism—and the role it plays in creating a homosexual element in Moby Dick. As previously stated,  also extend my analysis to an all too overlooked form of queerness as well, the aforementioned racial queerness. When academics analyze queerness in Moby Dick, it is usually from the angle of sexuality. Was Melville ahead of his time and attempting to assimilate homosexuality into a homophobic world? Arguably, yes, but in Moby Dick, he was also subtlety contributing to a purpose that the writings of Frederick Douglass, W.E.B. Du Bois, and Charles Chesnutt have become synonymous with: Integrating a socially-alienated race or culture into a society of intolerance. Erecting my argument out of the multiracial queer theories of Aurora Chang-Ross,  probe the prejudices, reservations, and responses that a multicultural individual (Queequeg) living inside a monoracially-dominated world manufactures and discern Melville’s catalytic aspiration in composing a novel that houses myriads of queerness....Click here to get more on this essay.!!! 

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