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Precis: Queequeg Queerness: Constructing Homosexuality Out of Racial, Cultural, and Spiritual Molecules
Herman Melville and homosexual conspiracy will be forever tied as
closely together as the storied monogamous relationship between two
swans. Typee, Billy Budd, or, more specifically, Moby Dick are all
latent with enigmatic male relationships that suggest—if not virtually
proclaim—homosexuality. As such, Melvillean literature has inevitably
drawn the keen interest of psychoanalytic and queer theorists from many
disparate points of the world—and even ages, for that matter.
Consequently, upon eras and eras of research and evidence, it has now
become viable to state that if there exists any argument in the world
that can be labeled as incontrovertible, it is the argument of queerness
being present in the works of Herman Melville. However, this commonly
investigated queerness is limited queerness; it is queerness that is the
result of theorists’ refusal to branch beyond homosexuality. Another
form of queerness is present as well: Racial Queerness.
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Examine Melville’s Moby Dick and reach beyond the all too banal
allegations of male-to-male homoeroticism and trace the neglected racial
queerness in the text. Nevertheless, continue to touch on
the typical element of homosexual queerness because it is vital to the
literary analysis of Moby Dick. However, plan to distend the
traditionally studied homoeroticism present in Moby Dick and evoke the
reason for the existent homosexual aura in Melville’s leviathan out of
Queequeg’s exotic civilization. investigate the relationship
between the subdivisions of Queequeg’s culture—paganism and
cannibalism—and the role it plays in creating a homosexual element in
Moby Dick. As previously stated, also extend my analysis to an
all too overlooked form of queerness as well, the aforementioned racial
queerness. When academics analyze queerness in Moby Dick, it is usually
from the angle of sexuality. Was Melville ahead of his time and
attempting to assimilate homosexuality into a homophobic world?
Arguably, yes, but in Moby Dick, he was also subtlety contributing to a
purpose that the writings of Frederick Douglass, W.E.B. Du Bois, and
Charles Chesnutt have become synonymous with: Integrating a
socially-alienated race or culture into a society of intolerance.
Erecting my argument out of the multiracial queer theories of Aurora
Chang-Ross, probe the prejudices, reservations, and responses
that a multicultural individual (Queequeg) living inside a
monoracially-dominated world manufactures and discern Melville’s
catalytic aspiration in composing a novel that houses myriads of
queerness....Click here to get more on this essay.!!!
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