• Analyze the steps involved in building a strategic plan for a health care organization and determine which step is the most difficult to get execute correctly. Explain your rationale.
• Analyze the SWOT and FIVE Factors Analyses and determine which would be more valuable from a marketing perspective. Provide specific examples of how you could use the results of either analysis to support informed marketing efforts.
• Recall a situation in which you sought health care of some type (not including care for an injury or illness). Determine if your situation followed the five steps of the buying decision model and what role marketing may have played in your seeking care. Provide specific examples to support your response.
• Analyze the stages of the organizational buying process and determine which stage would be impacted the most by effective marketing. Explain your rationale.
• The first movement of Mozart’s Symphony No. 40 in G Minor is based on variations on a three-note motif. Explain why you think this Classical music form may be satisfying for both 18th century and contemporary listeners – and whether it was enjoyable for you.
• Mozart was considered a child prodigy, performing throughout Europe. Cite your view on the notion of the child star and the impact of early success on a person who shows exceptional talent or genius. Explain whether you think Mozart’s struggle with sustained success in adulthood was a product of this phenomenon.
• By creating awareness of oppression and arousing sympathy of supporters, the arts can be a form of protest. Identify and describe an example of how either black slaves or white abolitionists used the arts as a form of protest against slavery.
• Explain whether you think an autobiographical or fictional account by a slave (such as Phillis Wheatley and OlaudahEquiano) is more persuasive than a biographical or fictional account by a white author (such as John Gabriel Stedman or AphraBehn).
• Explain whether you think the representations of slavery in the visual arts (such as William Blake’s illustrations, William Hackwood’s cameo, or John Singleton Copley’s painting) were more compelling and convincing of the injustices of slavery than literary representations.
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